Tuesday, January 28, 2020
Monday, January 27, 2020
"Take on Me"
I listen to NPR on the way to work and 80s and 90s pop on the way home. When friend C was contemplating a move and the longer commute, she told her therapist this quirk I'd shared with her, and according to C, she and her therapist pumped their fists into the air and yelled "yes!"I don't know where I'm going with this story, but this evening, a car with the license plate "AHA" showed up just as "a-ha" turned up on the stereo. And I'm here to tell you that "Take on Me" holds up. It's a great song.
Sunday, January 26, 2020
Collaborateur

I did some voice taping for two colleagues, and their dance-film Uprooted is in a bunch of small film festivals all over the place, so that's one kind of collaboration. But also, At is in this production, and this may be our first (and only) film collaboration.
Saturday, January 25, 2020
Almost
I am worried for my friend
whose young sister has passed away
and tomorrow is coming
and my friend is coming back
and I'm venting to Big A about how
death doesn't make any sense.
And I'm sitting by his feet in a darkened room
in the middle of the morning, because he's trying
to sleep before he works the E.R. tonight.
And he's stroking my ankles, telling me
that "everybody dies, every body dies--you
know we're walking with ghosts."
My skin prickles surprise, I want to hear it
again until it turns out what he had said was--
"you know that's how it goes..."
whose young sister has passed away
and tomorrow is coming
and my friend is coming back
and I'm venting to Big A about how
death doesn't make any sense.
And I'm sitting by his feet in a darkened room
in the middle of the morning, because he's trying
to sleep before he works the E.R. tonight.
And he's stroking my ankles, telling me
that "everybody dies, every body dies--you
know we're walking with ghosts."
My skin prickles surprise, I want to hear it
again until it turns out what he had said was--
"you know that's how it goes..."
Friday, January 24, 2020
Thursday, January 23, 2020
Wednesday, January 22, 2020
The Beauty
I am two years ten months old,
beloved first-born: am told my face
is open as windows, my smiles gems
of happiness, when baby sister is born.
I remember being taken to visit
Amma and the wrinkly new baby
too in the hospital, in the morning, right
before I have to go to Mrs. Pinto's "school."
And I remember the chill of nerves
the clunky thump of suspense, feeling
so sneaking clever when--patting her tenderly,
I tell my parents: "Baby sister--Chelli Paapa--
is so, so beautiful; I don't want to go to school."
My ploy creeps on, it has lived many lives
it has floated past memory's borders,
the recall slowly fading.
When I retell it now, on this whole other continent,
my own kids chortle, roll their eyes, call me
"playa." My face is a window, is a mirror,
my face is a door that lets the lie in.
But my parents have told this story for decades,
in a haze of earnestness, claimed 'blessings
--love or beauty or children, or the hazy
necessity of whatever comes next.
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