This is how...

I need to put this out there, to counteract Diaz's somewhat simpering performance on The Colbert Report this week, and remember that he's a MacArthur my kind of genius.

(From Diaz's Twitter feed in November 2012

http://twitter.com/JunotDiazDaily/status/268774844273934336)

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If I have to be in the office on a Sunday...

I'm glad I get to giggle at the incongruity of a plant wearing my favorite Horace Mann quote:

That's a Ten (Ten!)

By Kevin Moore over at Mooretown.

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The Book Kids of Mumbai

This made me nostalgic although it is about Mumbai and not Chennai, and although it is about pirated books and not books on resale, and although it is about children on the street rather than quite literate adults. It reminded me of my friends and fellow English grad students Kamal and Christine with whom I spent many hours competitively buying second-hand books from the pavement book sellers of Pycroft Street. And I'm thinking also of the many street sellers (I wonder if the guy at Luz corner still sells) who would take a pescribed book list and rattle off all the titles they did or didn't have.

As the lights turn red at the Haji Ali traffic intersection in Mumbai, the boy slouching against the railings quickly straightens up. Yakub Sheikh is just 12 years old, but he knows he has only 45 seconds to make some money. Holding aloft his wares, he dashes toward a black BMW and in his cracking preteen voice addresses the woman inside: “ ‘Fifty Shades of Grey’?”.... (Don’t tell E. L. James, but the woman in the BMW bought the entire “Fifty Shades” trilogy for the equivalent of $10.) 


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Sex and Stones (on Abraham Verghese's Cutting for Stone)

Abraham Verghese is a huge talent. He's saved and improved the lives of more people than I've ever even met, probably. And he knows more (about medicine, certainly, but also most other stuff) than I do. The new book--first novel--is an intense, politically questioning, resonant, transnational saga. The emotional yearning and sexual tension in the novel is immense. I loved it.

And I hated this:

In every account of sex, the women seem to sacrifice themselves. In both encounters that the plot revolves around, I wasn't sure if I were reading about coerced sex/rape: one woman has had a clitoridectomy and seems startled by the experience; another woman gives in to the fondling of a man she idolizes because he is in a drunken panic. Both women are younger and less privileged in a variety of ways including social position, education, and race. Unlike many other literary authors, Verghese is not averse to writing about sex (at length, even). So why then is the sex never playful and honest? Never HAPPY? Why is sex repeatedly the ultimate sacrifice a woman can ever make.

What is this shit?

Verghese's novel begins with twin brothers in the womb and ends with the an endorsement of a father-son connection. Whichever way you look at it, that's male centered (for the bros). Which would explain why all (all!) the women in the novel occupy subservient positions as mother figures (who sacrifice lives--literally by dying in childbirth or by neglecting their health and careers) or as sexual objects (those who share sex freely are typed as servient sex workers or literal servants; alternatively they are the sullied/undeserving siren who betrays).

Can it get worse?

Yes. Wait till the women die--in honest-to-goodness childbirth or of consumption. Some punitively patriarchal novelist could have written this... in the 19th century. I won't think about the acrobatic coincidences and biblical / spiritual / numerological rationalizing that occurs in the book--Verghese's writing can compensate for most of that. If there had just been one female character I could identify with or even one (one!!) female colleague who wasn't subject to elaborate sexualization and with whom the male characters had a respectful relationship, I'd have bought the book.

With more than just my money.

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Mid-term Break: Embers

Almost at the end of the midterm break and I'm still struggling to finish Sándor Márai's highly-acclaimed novel Embers. A very sweet (also assiduous) student gave me their copy because they "knew" I would love it.* It's only fair that I try hard to finish it, because I impose my tastes on those poor students all the time, after all.
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*Not to be confused with the student who, throughout his final paper, used my name instead of the name of the protagonist in the novel he was writing about. We weren't able to decide if that was ironic or ignorant or obsessive.


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She was there

Today started off fairly normally and then I ended up at dinner with Jennifer Finney Boylan.

Back up: I should say that meeting her wasn't entirely unexpected--I have after all planned to take my class along to hear her talk for, lo, all of two months. Jenny is amazing. She is the author of She's not There Anymore and the forthcoming Stuck in the Middle With You (her schtick--she says, self-deprecatingly ignoring her writing skills and her jaw-dropping experiences --is naming her books after bad pop music).

Trans experience is something that students frequently don't understand; a concept that becomes, and stays, intellectual--and so something that you just get or just can't wrap your head around. My admiration for Boylan has been mostly on a gut level--mostly for her courage and her sense of comedic timing, so I was so happy to see these translated into a great *show*. Jenny worked the audience: making them laugh with her, at her, making jokes about them, getting them to care about her, getting them to extend that interest and affection to all trans people, to all people. It was breathtakingly, heart-achingly beautiful.

She is so articulate about growing up as male and female also, parenting as father--and now--mother, that my question had to be about the way her parenting would differ if she were parenting daughters instead of sons. She knelt beside me in the audience as I put my question out (smirking, "this is just between us") and gave my question way more attention and honesty than it deserved.

So, when I was invited as a last-minute addition to the dinner table, I couldn't wait to accept. My students were all starry-eyed at the end of the talk; I can't wait to debrief with them on Tuesday.

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Franzen's Freedom

Over here, we've been reading Jonathan Franzen's latest, Freedom. It's the first novel Big A's read before me (ever). I gave it to him over the new year and have been patiently waiting (because it's the polite thing to do) for him to finish it, because it was, after all, his present. And already, given that it was Jonathan Franzen, there were not a few moments of marital teasing about the self-servingness of this present. Big A even asked if I got him the book merely because there was a bird on the cover, because I do like things with birds on them (kinda like this), although I hadn't (honestly!) noticed this particular one.

It was hard reading the book after Big A. For one thing, I had to stop myself from asking him about the end all the time (and haven't mostly because he works a bunch of nights this week). And also (and this is so embarrassing), I kept getting jealous of all the people in the book. I kept wondering if he found them interesting. Since we met, it's fair to say Big A hasn't spent this much time with people who aren't me, learning really emotional and intimate details about them. In a way, I'm glad he tends to non-fiction for the most part.

And there were all sorts of people who had names of people we knew; this included the names of my step-mom-in-law and Baby A's middle name. And then everyone in the book turned out to be unlikeable. And everything kept getting solved by death. Even the person with Baby A's middle name wiped out in a car accident. And the women were all clingy and weirdly submissive. They really had to be good little Griseldas about waiting, suffering, and repenting.

But Franzen does write efficiently, photographically, in that choosy New Yorker-ish time-and-space specific way. And wonderful too, the flash of recognition coming from a sprawl of words stretching self-indulgently and contemporaneously all the way into Obama-America.